Kenyan Musicians

On a cold August morning in Nairobi, a room full of musicians, producers, and industry players broke into applause. For the first time in Kenya’s history, a Collective Management Organization (CMO) had achieved something many thought impossible: distributing royalties with an efficiency ratio of 70:30 — meaning 70% of revenue went directly to right holders, and only 30% covered operational costs. That CMO was the Kamp Copyright and Related Rights […]