Octopizzo Throws Jabs at Khaligraph and the State of Kenyan Rap – Is He Speaking Facts or Just Being Petty?

September 7, 2025 15

Written by Edwin Agesa on Sunday, 7 September 2025.

Kenyan hip hop just got another dose of drama this week after Octopizzo went live on Homeboyz Radio, and let’s just say – he did not come to play nice.

The Namba Nane rapper took direct shots at none other than Khaligraph Jones, mocking his fashion sense and calling him out for wearing “sweatpants all year long.” According to Octo, the self-proclaimed OG might have bars, but he clearly has no drip. “You can’t be the face of the game looking like you just left the gym,” Octopizzo said with a smirk, leaving the hosts half-laughing, half-shocked.

But he didn’t stop there.

Octopizzo extended his critique to the wider rap scene, accusing many local rappers of being lazy lyricists. He said too many artists are just writing words that rhyme without making any real sense. “Just because something rhymes doesn’t make it a good song,” he emphasized, clearly frustrated by what he sees as a lack of depth and creativity.

Then came the cultural critique. Octopizzo lamented that Kenyan and East African music is now overrun by trendy songs that don’t deserve a second listen. He cited Amanda by Zuchu as an example of music that’s more about momentary hype than lasting impact. While he admitted the song might be popular, he questioned its replay value and artistic depth.

So, is Octopizzo being a bitter gatekeeper, or is he raising legitimate points?

Let’s be real—Octo has always walked a different path. He’s never been the “street anthem” guy like Khaligraph, nor has he chased trends for TikTok virality. He prides himself on being “international,” fashion-forward, and lyrically conscious. So his criticism isn’t entirely out of character.

Still, it’s hard to ignore the tone: it felt more like shade than constructive criticism. The fashion jab at Khaligraph might have been funny to some, but it also sounded personal. And while his take on lazy lyricism hits a nerve in an industry full of microwave hits, calling out specific songs like Amanda seems to dismiss what audiences genuinely enjoy.

The bigger question is: Is there space in Kenyan music for both conscious rap and club bangers? Probably yes. But Octopizzo’s comments today prove one thing—hip hop beef is alive and well, and when it’s dressed in fashion critiques and musical philosophy, it hits differently.

Grab your popcorn. Kenyan rap is heating up again.